An advance upwards of $2m is the figure awarded Emma Cline in the aftermath of an American bidding war that erupted to ensure her debut novel 'The Girls' crosses the Atlantic into the UK market. Emma Cline is from California. Her fiction has appeared in Tin House and The Paris Review, and she was the recipient of the 2014 Paris Review Plimpton Prize.
'The Girls' is about Evie Boyd, 14, who is desperate to be noticed. In the summer of 1969, empty days stretch out under the California sun. The smell of honeysuckle thickens the air and the sidewalks radiate heat. Until she sees them. The snatch of cold laughter. Hair, long and uncombed. Dirty dresses skimming the tops of thighs. Cheap rings like a second set of knuckles. The girls. And at the centre, Russell. Russell and the ranch, down a long dirt track and deep in the hills. Incense and clumsily strummed chords. Rumours of sex, frenzied gatherings, teen runaways.
Was there a warning, a sign of things to come? Or is Evie already too enthralled by the girls to see that her life is about to be changed forever?
While the subject matter is familiar — this is TC Boyle’s 'Drop City' meets Donna Tartt’s 'The Secret History' — it’s the prose that makes 'The Girls' such a strikingly accomplished debut' - Alex Preston, author of 'In Love & War'
Praise for The Girls
“Spellbinding . . . A seductive and arresting coming-of-age story hinged on Charles Manson, told in sentences at times so finely wrought they could almost be worn as jewelry . . . [Emma] Cline gorgeously maps the topography of one loneliness-ravaged adolescent heart. She gives us the fictional truth of a girl chasing danger beyond her comprehension, in a Summer of Longing and Loss.”--The New York Times Book Review
“[The Girls reimagines] the American novel . . . Like Mary Gaitskill’s Veronica or Lorrie Moore’s Who Will Run the Frog Hospital?, The Girls captures a defining friendship in its full humanity with a touch of rock-memoir, tell-it-like-it-really-was attitude.”--Vogue
“Debut novels like this are rare, indeed. . . . The most remarkable quality of this novel is Cline’s ability to articulate the anxieties of adolescence in language that’s gorgeously poetic without mangling the authenticity of a teenager’s consciousness. The adult’s melancholy reflection and the girl’s swelling impetuousness are flawlessly braided together. . . . For a story that traffics in the lurid notoriety of the Manson murders, The Girls is an extraordinary act of restraint. With the maturity of a writer twice her age, Cline has written a wise novel that’s never showy: a quiet, seething confession of yearning and terror.”--The Washington Post
“Emma Cline has an unparalleled eye for the intricacies of girlhood, turning the stuff of myth into something altogether more intimate. She reminds us that behind so many of our culture’s fables exists a girl: unseen, unheard, angry. This book will break your heart and blow your mind.”—Lena Dunham
“Emma Cline’s first novel positively hums with fresh, startling, luminous prose. The Girls announces the arrival of a thrilling new voice in American fiction.”—Jennifer Egan, A Visit From The Goon Squad
“I don’t know which is more amazing, Emma Cline’s understanding of human beings or her mastery of language.”—Mark Haddon, New York Times bestselling author of The Curious Incident of the Dog in the Night-Time