Wendy Leighton-Porter Author of the 'Shadows From the Past' Series for Children: 'You don't need a degree to write. Anyone Can Write!'
by Rana Asfour
Wendy Leighton-Porter spent twenty years as a teacher of French, Latin and Classical studies in the UK, before a change of career led her to writing books for children instead. She currently divides her time between homes in South West France and Abu Dhabi in the UAE. She lives with her husband and their beautiful Tonkinese cat.
I met Wendy a couple of months back on a visit to the ‘Wanna Read?’ offices in Abu Dhabi where I volunteer. 'Wanna Read?' is an NGO that believes in ‘healing through reading’ founded by Sheikha Shamma bint Sultan Bin Khalifa Al Nahyan who is also the owner of the ‘Royal Publishing House’ in Abu Dhabi where Wendy currently volunteers to manage Sheikha Shamma’s own series of books.
Wendy is the internationally-selling author of the SHADOWS FROM THE PAST series - exciting time-travel adventure stories aimed at children over eight-years-old. The first book in the series, ‘The Shadow of Atlantis’, debuted in 2011 and since then Max, the talking Tonkinese cat (writer of his own mini-blog), and his three young friends (ten-year-old twins Jemima & Joe, and their friend Charlie) have been on various adventures travelling through different times in the world’s history. To date there have been 13 published adventures with two more scheduled for release in the very near future.
Here she talks to BookFabulous on how she began writing children's books as well as some tips for budding writers...
‘I always wanted to write a book and when I stopped teaching in the UK, I no longer had the excuse that I had no time. But then I had a moment of panic about what I wanted to write about. I knew I wanted to write for children because I had always taught children, and I still liked the idea of educating even though I was no longer in the classroom.
‘It all started when I was traveling on an airplane and had a couple of hours to think. I knew I wanted to write a series. By the time the plane landed, I’d worked out my characters and what the basic premise of the book was about and how it would happen.
‘They usually say to write about what you know. Since I was teaching Latin and Classical studies, I decided I would begin my stories set in the ancient past, in the famous of all ancient places, Atlantis. I then had the idea of a talking cat because I had a cat that I loved.
On the ‘Shadows from the Past’ series…
‘This is an ongoing series. I am probably half way through. I have published 13 in total although 9 of them are really full-length, standalone books, because occasionally I’ll write a little off-shoot story (4 mini adventures) where Max (the cat) has an adventure on his own although his adventures in a way tie in with the series. All the books in the series could be read as standalone books if one wanted to do that and not read them in order, though really they make more sense when read consecutively.
‘I probably have 9 more full length stories to write and I already know what they are going to be. I know where my series is going to end and how it’s going to end and I know each stopping point along the way and titles for these books because they are time travel stories and they started back in Ancient history in Atlantis and they’re gradually moving forward in time. So the one that I’ve just written is set in the 16th century (at the printer’s) and includes people like Shakespeare and Queen Elizabeth I of England.
On Max … the talking cat!
'He’s quite an extraordinary cat and he’s got quite a real character. And in fact he is the character that children love and I’m pleased about that because he’s the character that I love too. Max really has developed into a hero and with each passing story where he takes more and more of an active role he’s very funny. Thanks to a charm on his collar he’s able to talk and understand what’s being said to him so he often helps the children on their travels.
'Max is in fact my cat. Unfortunately the real cat passed away last year but he was 16. He’d had a good life. So all the descriptions of him in the book and the things people say about him in the book are things that people have in the past said about the real Max.'
On writing …
‘I always have a basic framework although I don’t stick rigidly to it. I know everyone writes in a different way. Some people have to have absolutely every detail planned. Personally, I prefer to start out with an idea of how I’d like my book to end and then I decide basic ideas on how it will go along after which I fill the missing gaps as I go along. I often get ideas as I’m writing. So often as I’m writing I’ll suddenly go off on a tangent and things will occur to me in the process of writing. And I’m fine with that. In fact as I wrote the books the characters grew in ways that I didn’t expect them to as they took on different personalities that I hadn’t necessarily planned for them’.
'The series takes the three children and their cat on time travel adventures that start in Ancient Atlantis. ‘Another,’ explains Wendy is set in Egypt in the time of Tutankhamen and there’s an ancient Pompeii one because ‘when I used to teach Latin, I taught about Pompeii. As I’ve moved into more recent history, the stories are about the [British] history that I know. Although having said that, and without giving too much away, the cast will be travelling further afield for a couple of other adventures; There is going to be one set in France during the revolution, and the last book will not end in England.
'Funnily enough, before even coming to the UAE, I set Max’s Arabian Adventure out here in the Empty Quarter (al rub al khali). It’s really a little bit like Aladdin’s tale with the magic lamp and the magician and along the way he meets a falcon and a camel who help him'.
‘It used to take me about three months to write a book. But since I came out to Abu Dhabi and got involved with all the things that I do out here, it is taking me about 18 months to complete a book because I have to try and fit in writing in quiet times when I’m not doing other things. I go through three drafts before I’m satisfied with the work mainly because I’m finicky about grammar having been a teacher. Then I normally have at least two, maybe three proofreaders go over it because you never see your own mistakes. So you need other pairs of eyes and every work does need to be edited before it goes to print.
‘My husband also edits for me and he is ruthless. He always looks at it and says ‘Adjectives, adverbs, cut them all out!’ He writes thrillers and so writes in a totally different style and I always say to him that for children you need to paint a picture so you need more description. So I slip them back in when he’s not looking. But when other people are correcting me and usually write me that this doesn’t work or that I’ve got a plot hole there or that I’m repeating myself, I do take note. Any author has to accept being edited.’
‘If English is not your first language but feel you can only write in English then make sure you get a native speaker to edit and proofread your work to make sure your writing isn’t stilted and is written in a natural flow of English. I think often when a work is translated as well, if you don’t have a good translator it can end up reading in a strange way. I was given a book to proofread that was written by a Norwegian writer who translated it into English themselves, and it was full of really literal translations of phrases and idioms that meant nothing in English’.
‘I read everything and I always have a book on the go. I love historical and detective fiction. When it comes to children’s books, every time I find that people are talking about a particular author that is current or really good, I download their book and I read it. I think it is something that is important to keep up with what’s around for kids. And there is so much good stuff out there’.
‘I have been reading on a kindle since I moved out here to Abu Dhabi because it’s practical but I still prefer the feel and of course the smell of a real book. Back at home I have a library, which is actually a very wide corridor along the length of which are books from floor to ceiling. I see bookshops as magical places; I can spend hours in them.
‘Although my books are published in the UK, they are all available in e-format on Kindle. To bring them in to the UAE is not terribly easy because I have to get them shipped over and that is the expensive bit. I am looking into though.’
On Royal Publishing House...
‘When I met Sheikha Shamma bint Sultan bin Khalifa al Nahyan, also a children author, she had just set up the Royal Publishing House and had released her first book ‘The Lost Princess’. Gradually as I got to know her and she realized that I was involved in writing and publishing with my own books, she asked for my help. So, I am sort of running the publishing house now but on a voluntary basis. But it does take up most of my time and it’s lovely because a life filled with books is what I enjoy.’
On advice for budding writers …
‘We’ve all started at that stage with having never written and it is very daunting when you sit down for the first time in front of a blank computer screen or a blank piece of paper and think ‘can I do it?’ But you’ll never know until you do. They always say ‘Everyone’s got a book in them!’ and I think that having the idea is the most important thing and once you’ve got that just go for it. You don’t have to have a degree in writing to write. I don’t. Anyone can write. When I look back at what I first wrote, I think ‘ooh it wasn’t terribly good’ but you learn to polish as you go along.
‘Another thing is that I always keep a notebook so that when I get ideas I jot them down before I forget them.
'Back at home, before coming here I had my own nice office where I wrote but here in Abu Dhabi, I have to work anywhere although I do need to have peace and quiet although I know other writers who can only write to music. Everybody is different. So I don’t think that there is any hard and fast rule or magic formula for writing. It’s just about going with what suits you.’
by Rana Asfour
Sometimes a book sneaks up on you and takes you so totally by surprise that the shock of the encounter takes a while to recede, remaining lodged at the forefront of your thoughts. 'Reunion' by Fred Uhlman, is nothing short of a perfect haunting tale about a friendship destroyed by history. It was selected as Book of the Year 2016 by the Guardian, UK. Although a little known novella, it boasts fans including Ian McEwan, John Boyne, Deborah Moggach and David Nicholls.
'He came into my life in February 1932 and never left it again'. So begins Uhlman's novella narrated by Hans Schwarz, 'the son of a Jewish doctor, grandson and great-grandson of a Rabbi, and of a line of merchants and cattle dealers'. Schwarz years later is remembering his sixteen-year-old self when he attended school at the Karl Alexander Gymnasium in Stuttgart, Württemberg's most famous school founded in 1521 run by Herr Zimmermann, who all the students treat with 'contempt and occasionally with cruelty, the cowardly cruelty which so many healthy boys show towards the weak, the old and the defenceless'.
As far as a sixteen year old's life goes, Schwarz's life, although not particularly interesting, follows in typical fashion that of his teenage peers until in walks golden boy Graf Konradin von Hohenfels, a young member of the illustrious Swabian family whose ancestors had once tried to save the great Barbarossa while others were decorated war heroes who had died in the defence of their beloved Germany.
Nevertheless, and despite all their differences, Konradin and Hans become very close friends. It’s a friendship of the greatest kind, of shared interests and long conversations, of hikes in the German hills and growing up together. A coming-of-age story that Hans diligently documents in his journal.
'Between the ages of sixteen and eighteen boys sometimes combine a naïve innocence, a radiant purity of body and and mind, with a passionate urge to absolute and selfless devotion. The phase usually lasts a short time, but because of its intensity ad uniqueness it remains one of life's most precious experiences'.
Although the boys are aware of the political unrest whose 'storm-centre was far away - in Berlin, whence clashes were reported between Nazis and Communists', they remained ensconced in a 'magic circle' innocently believing that nothing could disturb their friendship. Predictably, their bubble bursts but surprisingly the inciting incident when it happens is not one which the reader is expecting.
For such a small book (96 pages) Uhlman packs in a lot of heavy discussions on religion and the existence and nature of this Higher Being. Notes on how Jews felt about a homeland in which they had to decide on 'exchanging the Rhine and Mosel, Neckar and Main for the sluggish waters of the Jordan' and of course about the evils of Nazism and the way it shattered people's belief that 'foremost they were Swabians, then Germans and then Jews'.
Totally life-changing, completely relevant to today's world and an absolute must-read.
'Reunion' was adapted for film by director Jerry Schatzberg that was released in 1989, under the same title.
by Rana Asfour
‘The Red Cobra’ is book one of a new series by Rob Sinclair featuring James Ryker (previously known as Carl Logan from the Enemy Series by the same author). Judging by my reviews of the previous series at the time, it is evident that I really (I mean REALLY) enjoyed them - hooked more like it. I was sad when the last of the books came out. I was so captivated by macho, no-feelings man Carl Logan and his enigmatic nemesis the Red Cobra, so lodged in the tough, brutally, fast paced and cold world of cloaks and daggers that when the time came for the last installment, I unwillingly acquiesced to the fact that my relationship with these characters had come to an end.
So of course, how thrilled was I, when author Rob Sinclair wrote in to say that actually there was MORE. I was over the moon and raced to purchase the new book ‘The Red Cobra’ and then proceeded to finish it (more accurately devour it) in one sitting. This is a fast paced, action packed thriller with strong female and male protagonists who despite all the brutality are more ‘human’. In terms of writing, this is probably one of Rob Sinclair’s best work to date.
After reading all of this author’s books, I believe that his success is down to writing skill as well as a knack for spell binding storytelling; A cognizant reader will find that words in the text are meticulously chosen, scene descriptions and dialogue are kept short and concise, and the plot sequence tight to the point that it takes only a few chapters into the novel for readers to surrender to a tale that not only runs smoothly along but is completely believable.
I’ll tell you another thing that made this book work for me: the short space of time between the release of the last of the Enemy Series books – ‘The Hunt for the Enemy’ and this one ‘The Red Cobra’ meant that the main characters in this new release were still fresh in my mind. With the gazillion books that I read, had Sinclair taken more time in between books, the job of remembering who was who and what was what would have been a tasking one. Trust me when I say not many readers will take the time out to remember or even have the time to go back and refresh their memory by re-reading up on previous books they thought they were done with. For that alone, well done team Sinclair! I should point out that to appreciate this book in no way implies that you should read the Enemy Series first – although really it does up the level of enjoyment particularly with regards to the identity of the Red Cobra when it’s revealed at the end of this book.
Now comes my dilemma. As this series is a spin off from the ‘Enemy Series’, then this book is essentially book one of a NEW series that nonetheless features the much familiar –but changed - character ‘Carl Logan’ operating under a new name. As someone who has read the entire Enemy series it felt like I was not only back to square one but there was a fear that my adored character was, to my horror, in peril of slipping into stagnation. There was slightly that but I’m just keeping the faith that the author has a solid plan to create a catalyst for James Ryker that will have him fighting his way back to the top of my top ten list of macho fictional characters in the sequels to follow.
However, I will concede that I perhaps feel this way because I am familiar with the previous series but not all readers of this book will be and so as Book One, it becomes the author’s responsibility to set the scene, draw the landscape and define the boundaries that James Ryker (to new readers a completely new character) is to operate his new life by and in that it succeeded beautifully.
With the first book in this new series, Sinclair has presented a question: Will the newly changed Logan be able to survive by the new rules he has set himself in a world that is prevalent with ghosts of the past and enemies that will not let him or those he loves be?
I, for one, will definitely be sticking around to find out.
The Blurb at the back of the book:
Carl Logan dedicated nearly twenty years of his life to the Joint Intelligence Agency. Now living in a secret location, under the new identify of James Ryker, he wants nothing more than to be left alone, the chance to start a new life away from chaos, violence, destruction and deceit.
It’s not long, however, before Ryker’s short-lived idyll is destroyed when he is tracked down by Peter Winter, his ex-boss at the JIA. Winter brings with him news of the murder of a woman in Spain, Kim Walker, whose fingerprints match those of one of Ryker’s former adversaries who’s been missing presumed dead for years - an infamous female assassin known as the Red Cobra.
A cyber attack at the JIA led to the Red Cobra’s profile being compromised, and Winter believes JIA agents may now be at risk too, Ryker included. But Ryker knew the elusive Red Cobra better than anyone, and when he sees the grisly pictures of Kim Walker’s corpse, he has news for Winter - she isn't the assassin at all.
So just who is the mystery dead woman? And where is the real Red Cobra?
by Rana Asfour
‘Scream of the Tasburai’ by Rehan Khan is the second instalment of the Tasburai Chronicles trilogy. Book one ‘Last of the Tasburai’ was released in 2015.
‘Scream of the Tasburai’ opens with a flashback to a battle scene in which a much younger Suri-Yi, the last of the Tasburai, is in battle with the Magrog who have crossed the Black Sea to seize hold of Avantolia. Followers of the trilogy will remember that this is the battle that eventually cements the Tasburai Order’s rule who then go on to establish the Republic of Avantolia. What readers find out now though is how exactly the victory was secured.
Suri-Yi we learn is the guardian of a secret weapon known as ‘The Scream’. It is a powerful sound wave that rises up through the belly of its executioner to ‘pulverize flesh, ground rocks to dust, scald grass … like a tidal wave, engulfing everything’ and leaving nothing in its wake. Ordered by the late Naram-Sin to unleash the power she carries inside her, she realizes when it’s over that she is forever changed. Burdened with immense guilt, she vows that she will do everything in her power so as never to have to unleash it again.
And so, with no unnecessary perambulation, the book’s first chapter jumps straight into where it left off in book one. Apprentice of the Tasburai Order Adan is still reeling from the discovery of an evil all-powerful dominating presence inside him who he blames for the killing of his childhood companion; Desperate to be rid of it, despite the fact that it would mean a diminishing of his powers, he has arrived to seek the advice of a Shufi who instructs him to travel to the dangerous land of the Magrog, the vicious bloodthirsty people who have again crossed the Black Sea to attack the lands of Avantolia. There he is to find the only person who can help him: the Magus. Believing that what he carries inside him is a gidm by the name of Vega, he sets out on his quest oblivious of the horrifying revelation that he will soon uncover.
Readers of book one know that the demon masters of the Magrog, their sister tribe the Yagrog and their terrifying partners the Xettin have crossed the Black Sea into Avantolia. Suri-Yi is convinced that victory against such a force can only be secured through a United Front made up of The Republic, Krakonite, Kronnoburg, and neighboring Pathan (the map at the forefront of the book is a big help). What she also knows is that such a move entails teaming up with some of Avantolia’s worst enemies. Additionally and while initially unknown to many of the characters including Suri-Yi, is the fact that setting its sight towards Avantolia is a new menace in town known as the Mogithrak; the creature ‘who smears filth upon the land; The concealer, the liar, the enchanter, the gilder’ who will not hesitate to burn the entire region to the ground.
And so as Suri-Yi heads with a force of ten thousand from Kronnoburg under the command of Olaf the Generous, to parlay with Avantolia’s chief enemy General Volek at Krakonite, the confrontation is anything but amiable and again alliances are reconfigured as Suri-Yi battles for her survival against an enemy that wants nothing more than to destroy her.
The valiant Captain Rikard from book one is now an army Major. Suri-Yi dispatches him East to personally petition the neighboring Maharaja of Pathan to join forces. We find him and his men, Brynjar the Blade, Bolt and Thord the Tracker in caves on the mountainous route of Kronnoburg about to encounter a troupe of hostile Xettin. At the last minute they are saved by the Alappahoe, a people who wear face paint with bodies smudged with a green powder that gives off a luminous glow when close to firelight. In return for ensuring the company’s safe passage through their terrain they ask that one of Rikard’s men stay behind. The choice falls on Bolt who as a reader I found so little mention of in this book that I’m slightly worried the author might forget all about him when book three comes along.
Ylva, daughter of Olaf the Generous, we now find pining to become a Tasburai warrior despite the wishes of Suri-Yi and her father. Her task is to lead the women, elderly and children to safety towards the fortress outside the Forbidden Quarter; A place where all the treasures of the ancient world are kept under guard by the Farheet against the Magrog and the Yagrog. Once there, it is not long before Ylva’s curiosity gets the better of her and she steals the keys to the forbidden doors to find out what exactly lies behind them. But the Farheet are expecting her and she finds out that it is she alone of the ‘pure heart’ that wields the weapon capable of destroying the advancing Mogithrak.
Queen Elsta of Kronnoburg, now dethroned and sold into slavery, is coming to terms with her demise. Angered and seeking to claim what is rightfully hers she is intent on fleeing captivity in order to seek out Chancellor Sargon who she believes will help her to set matters right. And so with the aid of her new friends, the handmaiden Sally and the sprightly clever Ode, she hatches her plan with confidence. Besides, with the seal of the house of Kronnoburg still in her possession as proof of her identity, what could possibly go wrong? Her journey as a character in this book is particularly interesting for although it starts as one born out of shock and a need for revenge, it also becomes one of empowerment, confidence and self-growth.
‘The Scream of the Tasburai’ is extremely good. It succeeds not only in creating a bridgeway to the third and final book but also for living up to the success of its predecessor. In fact, it trumps it. The writing in book two is stronger, more mature, with tighter chapters and a solid unwavering plot and subplots. There is an elevated level of tension through multiple unpredictable twists and turns as the characters get into place for a final showdown – locations shift, alliances change and truths blur. Loved characters die, old ones make a comeback and new ones are so superbly constructed and fleshed out that they fit in seamlessly without so much as a hiccup in the plotline.
The key behind the success of this middle book, I believe, lies in that the author has managed to strike the exact balance between giving background information for readers new to the trilogy and small reminders for those who have read book number one allowing the entire plot and subplots to unfold and move forward with ease. That said I am hesitant to recommend either book as a standalone novel for I personally believe that as a general rule maximum enjoyment and engagement is garnered when a trilogy is read in its proper sequence particularly so with regards the Tasburai Chronicles.
As with the first book, Khan masterfully manages in ‘Scream of the Tasburai’ to allow each and every one of his characters - the major players and the secondary ones, the familiar and the new - to enjoy a breadth of space that allows them to grow and develop in interestingly individual ways. In this book we learn more about some of our favourite characters’ histories and challenges, particularly Suri-Yi giving her not only more depth but revealing a vulnerable, more humane side that was missing in book one.
And just when followers of the trilogy think they have figured out how a story line might go, the author with deft genius turns everything on its head, changing the game in the process goading his readers on with something new with every turn of the page; Not only does this prove the strength of these characters to carry the weight of the story but they manage to hold the attention of the reader through and through.
And so, by the end of book two it’s anyone’s guess how it will all turn out for our valiant and villainous once book number three of the Tasburai chronicles comes into existence. I personally cannot wait to find out!
Rehan Khan, was born in Wimbledon, in 1971. His parents' home was close to the quintessential All England Lawn Tennis and Croquet Club and a bike ride away from Wimbledon Common. As a child he loved listening to swashbuckling tales of heroism and valour, as well as dabbling in science fiction. His debut novel was 'Last of the Tasburai'.
As his day job, Rehan is the Regional Consulting Director in the MENA region, for a FTSE 100 corporation. He has more than twenty years of experience in consulting, strategy, business planning, innovation, customer experience, marketing, product management, proposition development and business transformation. Rehan has worked across a number of industries including: telecoms, media, technology, real estate, private equity and executive education. He is also a professor at an international business school. Between 2009-10, Rehan was a business columnist for 'The National' newspaper in the UAE. Rehan holds a Master’s degree in applied social and market research, as well as an MBA in strategy. He lives in Dubai, with his wife and two children.
by Rana Asfour
I'll be boarding a plane next week for solo time with me, myself and I! So, opening my inbox this morning to find this piece of news from Faber and Faber regarding their posting of an exclusive reading by poet, playwright, and Oxford Professor of Poetry Simon Armitage's poem 'Thank You for Waiting' seemed rather serendipitous.
'Thank You for Waiting' is one of the poems that appears in Armitage's new book 'The Unaccompanied', published by Faber & Faber. It will have anyone who's ever flown anywhere nodding their head in complete understanding! Here is a free exclusive reading of the poem on the Faber & Faber website.
'The Unaccompanied' documents a world on the brink, a world of unreliable seasons and unstable coordinates, where Odysseus stalks the aisles of cut-price supermarkets in search of direction, where the star of Bethlehem rises over industrial Yorkshire, and where alarm bells for ailing communities go unheeded or unheard. Looking for certainty the mind gravitates to recollections of upbringing and family, only to encounter more unrecoverable worlds, shaped as ever through Armitage's gifts for clarity and detail as well as his characteristic dead-pan wit.
Insightful, relevant and empathetic, these poems confirm 'The Unaccompanied' as a bold new statement of intent by one of our most respected and recognised living poets.
BAILEYS WOMEN’S PRIZE FOR FICTION ANNOUNCES 2017 LONGLIST To Coincide with International Women's Day
The Baileys Women’s Prize for Fiction has announced the 2017 Longlist which coincides with International Women's Day 2017. Now in its 22nd year, the Prize celebrates excellence, originality and accessibility in writing by women in English from throughout the world.
The longlisted books are as follows:
'Stay With Me' by Ayobami Adebayo
'The Power' by Naomi Alderman
'Hag-Seed' by Margaret Atwood
'Little Deaths' by Emma Flint
'The Mare' by Mary Gaitskill
'The Dark Circle' by Linda Grant
'The Lesser Bohemians' by Eimear McBride
'Midwinter' by Fiona Melrose
'The Sport of Kings' by C.E. Morgan
'The Woman Next Door' by Yewande Omotoso
'The Lonely Hearts Hotel' by Heather O’Neill
'The Essex Serpent' by Sarah Perry
'Barkskins' by Annie Proulx
'First Love' by Gwendoline Riley
'Do Not Say We Have Nothing' by Madeleine Thien
'The Gustav Sonata' by Rose Tremain
This year’s recipients of one of the world’s richest literature prizes, The Windham-Campbell Prizes, for the first time include poets, alongside writers of fiction, non fiction, and drama. The awards will be conferred in September at an international literary festival at Yale, celebrating the honoured writers and introducing them to new audiences. They will each receive $165,000 to support their writing.
Established in 2013 with a gift from the late Donald Windham in memory of his partner of forty years, Sandy M. Campbell, the Prizes are celebrating their ﬁfth year of existence. English language writers from anywhere in the world are eligible. Prize recipients are nominated conﬁdentially and judged anonymously. The call that Prize recipients receive from program director Michael Kelleher is the ﬁrst time that they have learned of their consideration.
This year’s Windham-Campbell Prize recipients are:
In Fiction: André Alexis and Erna Brodber.
In Non Fiction: Maya Jasanoﬀ and Ashleigh Young
In poetry: Ali Cobby Eckermann and Carolyn Forché
In drama: Marina Carr and Ike Holter.
The Windham-Campbell Festival will take place from September 13-15, 2017 at Yale, and begins with an awards ceremony and an invited speaker who gives a talk entitled, “Why I Write.” This year’s keynote will be delivered by Karl Ove Knausgård. Yale’s campus is in New Haven, Connecticut, two hours by train from both New York and Boston, and all events are free and open to the public.
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